artin Ruhe's moody nocturnal lensing and production designer Sharon Seymour's richly conceived sets; many of the fictional backdrops used, from Shawn's Irish-pub HQ to the boxing gym in the Bronx where Mike trains neighborhood kids, draw upon (and sometimes artfully combine) locations in different b
ody nocturnal lensing and production designer Sharon Seymours richly conceived sets; many of the fictional backdrops used, from Shawns Irish-pub HQ to the boxing gym in the Bronx where Mike trains neighborhood kids, drawupon (and sometimes artfully combine) locations in different boroughs.
The behind-the-scenes creative team includes director of photography Martin Ruhe ("The American"), production designer Sharon Seymour ("Argo"), editor Dirk Westervelt ("Journey to the Center of the Earth"), and costume designer Catherine Marie Thomas ("The Heat"). The music is by Oscar n
The production and costume design by Sharon Seymour and Jacqueline West, editing by William Goldenberg and photography by Rodrigo Prieto are all first class. Affleck even uses the 70s Warner Bros logo, also the 70s rundown, famous Hollywood sign, as well as news reports from Ted Koppel, Mike Walla